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  • September 13, 2025 9:09 AM | Anonymous member (Administrator)

    Members may access the latest Quarterly from the Quarterly and Newsletter Archive page in the site's members-only section. The "compact" version is suitable for reading on screen or printing at home. 

    Inside this issue...

    • Latest details on the Sept. 25–27 Symposium & Photo Fair, including the Virtual Symposium

    • Highlights of the upcoming Benefit Auction (and how YOU can bid!)

    • Commentary on Christie's sale of the Maillet Daguerreotype Collection

    • A collector finds a rare treasure: five consecutive years of daguerreotypes of the same girl
  • September 11, 2025 7:07 AM | Anonymous member (Administrator)

    HARTFORD, Conn., Sept. 11, 2025 — For three days this month — starting Thursday, Sept. 25 — Hartford will be the center of the universe for people who love the world’s first photographs. Collectors, dealers, artists, museum professionals and just plain fans of these early camera images will gather from across the globe for the annual meeting of The Daguerreian Society, the leading organization dedicated to the history, technology, art and preservation of early photographs.  

    Clockwise from top left: Tinted daguerreotype of a woman holding a letter, circa late 1840s to early 1850s. Original paper photograph of Sergeant John Simms of Stamford, Connecticut, circa 1862, that will be for sale at the Photo Fair. View at Armsmear, the residence of Mrs. Samuel Colt, Hartford, Connecticut, by R. S. De Lamater (stereoview), circa 1869. Exceptional daguerreotype of an African American woman holding her young daughter (in auction).

    A highlight of the three-day gathering will be the society’s Photo Fair, which is open to the public and taking place Saturday, Sept. 27, at the Hartford Marriott Downtown hotel (Ballrooms A, B and C, third floor). From 10 a.m. to 4 p.m. ET (9 a.m. for Symposium attendees), the fair will feature rare and historically important images most one-of-a-kind. You will have a chance to not only browse through the past but also buy an authentic piece of history to hold in your hand ... for as little as $10.

    Thousands of antique photos from as far back as 1840 through the Civil War and up to 1900 will be on display for purchase. The images will include vintage daguerreotypes (the earliest practical form of photography) as well as modern daguerreotypes made by contemporary artists; tintypes; ambrotypes; and pioneering paper photographs. You can even glimpse the past in lifelike 3D, thanks to stereoscopic views. General admission is $10.

    If that immersion in early photography isn’t enough, you’ll have another opportunity to hunt for photographic treasures later that day: The society will hold its annual Benefit Auction starting at 8 p.m. ET Saturday. Nearly 80 lots will be offered. In-person bidding (for Symposium registrants) will take place at the Hartford Marriott Downtown, with online bidding available through Freeman’s | Hindman.

    This will be the first time The Daguerreian Society, an international nonprofit, has held its annual Symposium in Hartford. For those who can’t attend in person, the society is also offering a Virtual Symposium Experience

    To learn more about the Photo Fair, Benefit Auction and Symposium, visit DaguerreianSociety.org/Symposium.

    To download the photos above which will be offered at the Photo Fair and Auction, as well as photos and a video clip from past society fairs, click here.

    About The Daguerreian Society

    The Daguerreian Society is the leading organization dedicated to the history, technology, art, and preservation of 19th-century photography. Our international membership brings together photography collectors and dealers, museum professionals, historians, scientists, students, educators, photographers, and artists. A 501(c)(3) nonprofit founded in 1988, The Daguerreian Society welcomes all who share an interest in early photography. For more information, please visit DaguerreianSociety.org.

    Click here for PDF version  

    Media contact: Dave Fondiller, media@daguerreiansociety.org

  • September 04, 2025 4:14 PM | Anonymous member (Administrator)

    The Daguerreian Society’s bylaws outline a process for nominating and electing members of its Board of Directors, who serve three-year terms. The process requires a vote of the members.

    Except for our Business Director, Diane Filippi, Society Board members are all volunteers. Individuals may serve for up to three consecutive terms with a two-year hiatus before being eligible to run again. 

    Each year, seats on the Board open. This year, there are three open Board positions for the 20262028 term. The Board's Nominating Committee has put forward the following slate of nominees: 

    Susan Meyer has been a member of The Daguerreian Society since 2012 and a daguerreotype collector since that time. A graduate of the University of Minnesota, Duluth (History), she notes that her interest in daguerreotypes is connected to her love of history: they show what people did, how they lived, and, in some cases, how they died. In addition to daguerreotypes, Susan and her husband collect American industrial art, including WPA paintings and black-and-white photography from the 1930s and 40s. Susan worked for 3M for 42 years before retiring in 2017 as a global supply chain manager. She has served on the board since 2020 as Treasurer, Board Chair, and a member of the Strategic Planning Committee. She has agreed to serve a third term on the Board.

    Dave Fondiller has served on the Board since 2023 and is running for his second term. Based in New York, he first joined the Society around 1995 after writing a feature story on Matthew Isenburg’s extraordinary collection for Forbes, where he worked as a staff writer. After a hiatus of several years, he rejoined in 2013 and has been active ever since. Board leadership roles include co-chairing the Marketing & Communications Committee, serving on the Membership and Publications Committees, and participating on various Symposium-related teams. He is also one of the Society’s social media administrators. A passionate collector of daguerreotypes and other early images, Dave brings more than 25 years of marketing and communications experience to the Society. A graduate of Columbia College and Columbia’s School of International and Public Affairs, he currently works as a communications and editorial consultant. 

    Edith Cuerrier (first-term nominee) is a French Canadian born near Montreal and now based in Newfoundland and Labrador. She works as an archives technician at The Rooms Provincial Archives in St John's, NL. A photography scholar and enthusiast, she will be teaching a History of Photography course at her local community college this fall. She served as project cataloguer of the Cromer Collection at the George Eastman Museum (2017–2019). Earlier in her career, she spent more than 20-years as a military photographer in the Royal Canadian Air Force (1980–2001). Edith earned her MA in Photographic Preservation and Collections Management from Toronto Metropolitan University (formerly Ryerson) in 2009 and a BA in Anthropology from Memorial University of Newfoundland in 2006. She has been a member of the Daguerreian Society ever since 2008, when Nick Graver introduced her to the organization and she acquired her first daguerreotype. She attended her first Daguerreian Symposium in Paris in 2013, and several others since. She looks forward to attending more in the future, and especially to meeting everyone in Hartford, Connecticut, this year.

    Members will vote to fill the three positions from the proposed slate and may also write in candidates. The three individuals receiving the most votes will fill the open Board positions.

    Members will receive a ballot link by email on September 5. Results will be announced at the annual business meeting on September 26 in Hartford. 

  • August 23, 2025 7:35 AM | Anonymous member (Administrator)

    Can’t make it to Hartford? Be part of the Symposium from wherever you are! 

    Join us online for the

    Virtual Symposium Experience!

    The world’s biggest conference
    on 19th-century photography

    September 25–27, 2025

    As close as your computer (or tablet or smartphone) and available worldwide, you’ll enjoy:

    • An exclusive guided tour of the Wadsworth’s exhibition The Scenic Daguerreotype in America 1840–1860, presented by curator Allen Phillips and collector Greg French (sneak peak here)
    • Meet and greet attendees during the opening reception with special host Wes Cowan — auctioneer, historian, and Daguerreian Society VP
    • Interact LIVE with your fellow Virtual Symposium attendees in EXCLUSIVE online sessions hosted by Smithsonian museum professional (and former Daguerreian Society Chair) Michelle Delaney and artist and photo educator Colleen Woolpert

    CLICK HERE TO REGISTER NOW!

    Virtual Program

    Tips for Registering

    For our international community and
    those unable to watch the livestream in
    real time, Symposium events will be
    recorded and available to registrants for
    convenient on-demand viewing.

    Online conference fee: USD $150.
    Daguerreian Society membership not required.

  • August 22, 2025 12:54 PM | Anonymous member (Administrator)

    The countdown is on! The Daguerreian Society Symposium & Photo Fair is just weeks away, and we're excited to share more details on the featured speakers and presentations that will be among the highlights of this year's program.

    These talks will take place on Friday, September 26 — the second day of our three-day conference, to be held September 2527 in Hartford, CT. 

    For those unable to attend in person, registration for the Virtual Symposium Experience is available HERE.  

    EXPERT TALKS

    Whirlwind Tour of 19th-Century Photography at the Beinecke Rare Book & Manuscript Library

    Presenter: Matthew Daniel Mason

    This presentation offers a fast-paced survey of the rich 19th-century photographic holdings at the library, with an emphasis on the Peter Palmquist and Meserve-Kunhardt collections. It explores rare and significant works, from Mexican War daguerreotypes to Yosemite Valley stereographs, portraits by pioneering women photographers, and images capturing the disruption of the American Civil War and national expansion in the Trans-Mississippi West. By tracing photographic materials across formats, regions, and creators, this talk highlights how these collections illuminate both the artistry and historical narratives of photography’s formative century.

    Matthew Daniel Mason, PhD, has served as the Processing Archivist of Visual Resources at Yale University’s Beinecke Rare Book & Manuscript Library since 2004. He oversees the arrangement, description, and preservation of cornerstone photographic holdings including the expansive Meserve-Kunhardt Collection, the rich collections of Peter Palmquist, and visual legacies of Carl Van Vechten and Gordon Parks. Dr. Mason also develops access strategies and cultivates partnerships with creators, information specialists, educators, scholars, and patrons to advance access to and the discovery of the library’s visual holdings. A historian of visual records in context, Dr. Mason earned his doctorate in United States history from the University of Memphis and a Master of Arts in Library and Information Studies from the University of Wisconsin-Madison. An adjunct faculty member at Quinnipiac University since 2007, he has guided students through the history of photography and United States cultural history. His award-winning co-authored books include People of the Big Voice: Photographs of Ho-Chunk Families (2011) and Through a Woman’s Eye: The Early 20th-Century Photography of Alabama’s Edith Morgan (2015). Dr. Mason also lectures nationally on visual culture, archival ethics, and best practices for managing image collections.

     * * *

    Portraits in the Stream of Time: Images of “Indians” Henry David Thoreau Encountered in New England

    Presenter: Jane Turano-Thompson

    Henry David Thoreau’s long-standing interest in Native Americans was profound, complicated, and evolved significantly over time. His passion for immersing himself in the “Indian” life was well-known to his friends, including Nathaniel Hawthorne and Ralph Waldo Emerson, and led to his travels and encounters with indigenous peoples in New England and beyond, from the 1840s on. This presentation will explore the images of some of the native inhabitants he encountered and described in his writings, and occasionally mentioned by other travelers. These portraits from public and private collections are not only relics of contact between Thoreau and the real lives of people he met but also documents of interaction between Native and non-Native cultures of sitters and artist/photographers in the greater multi-cultural community in which they were made. The fruits of these portrait sessions can be seen as assertions of self, documents of conflict, and, most importantly, as expressions of identity and survival in what was a rapidly changing landscape.

    Jane Turano-Thompson, a graduate of Smith College, is an independent scholar and art historian, specializing in 19th-century American art, culture, and photography. Formerly Editor of The American Art Journal and Consulting Editor of that magazine, she has written for numerous art publications and has lectured at the Dublin Seminar for New England Folklife, the American Antiquarian Society, the New England American Studies Association, Smith College, Middlebury College, the New Bedford Whaling Museum, the Schwenkfelder Library & Heritage Center in Pennsylvania, and numerous other institutions throughout the Northeast. Several images from her collection were exhibited at the Metropolitan Museum of Art and published in the accompanying book, Photography and the American Civil War, by Jeff Rosenheim. She was a contributor to the Oxford Encyclopedia of Maritime History, published by Oxford University Press, and the featured speaker at the “Exploring the Eye of History” symposium of the New England Archivists Association.

     * * *

    A Virginia Family in Pursuit of Their Likenesses: Encounters with “Mr. Tools,”“White Hurce,” and “Mr. Montgomry”

    Presenter: Denise Bethel

    The history of daguerreotypes most often originates with research devoted to the daguerreotypist; sometimes lacking, however, is a history of the medium from “the other side”— stories passed down to us by the sitters: how they interacted with their portraits, what their pictures meant to them, and when and how they were made. What can we learn by beginning not with the artist, but with the sitter? My accidental stumbling into the “other side” was a surprise, particularly in the case of the elusive “Mr. Tools” and “Mr. Montgomry.”  Both “took likenesses” of my friend Llewellyn Hedgbeth’s rural Virginia family and are mentioned, albeit fleetingly, in her family’s daybooks.

    Denise Bethel was in the auction business in New York City for over 35 years, first at Swann Galleries and later at Sotheby’s. After leaving Sotheby’s in 2015, she formed Denise Bethel LLC and now works as a consultant to private collectors and institutions, and is a writer and lecturer. Having worked as an auctioneer for so many years, she now especially enjoys helping her old clients give things away.  

    * * *

    Time Stands Still: Horology in Daguerreotypes

    Presenter: Bob Frishman

    From his digital collection, now numbering more than 800 examples of vintage-photography images showing clocks and  watches, Bob Frishman will project and discuss appealing daguerreotypes. These include portraits in which watches announce the sitters’ affluence and sophistication, including occupationals of watchmakers and clockmakers, and photographs in which timekeepers represent human mortality as they have in iconic artworks for seven centuries.

    Bob Frishman, founder in 1992 of Bell-Time Clocks in Andover, Massachusetts, has professionally restored nearly 8,000 mechanical clocks. He has published more than 150 articles and reviews, and he has lectured to more than 150 audiences on the history, culture, and technology of timekeeping. His award-winning biography of 18th-century Philadelphia clockmaker Edward Duffield was published in 2024 by the American Philosophical Society. See www.bell-time.com.

     * * *

    On the Prairie with General Custer and His Hounds

    Presenter: Brian Patrick Duggan

    From 1862 to 1876, during General George Armstrong Custer’s army career and marriage to Elizabeth “Libbie” Bacon, he appears in 15 photographs with his dogs (occasionally Libbie is there too). Ranging from tintypes to stereo views to albumen images, the majority of these comparatively relaxed images were taken in the field, on campaigns, or on hunts. The Custers’ dogs were photographed with officers, ladies, troopers, Indian scouts, horses, a minister, a dead grizzly bear, and a dying buffalo. And when photographers were not present, the 19th-century equivalent of Photoshop was used to composite Custer with his dogs in published engravings.

    These Custer images are held throughout several institutions and private collections, but perhaps the most remarkable was taken on an 1869 buffalo hunt in Kansas. Far from any settlement, a large group of mounted riders and blurred hounds pose behind a dangerous, mortally wounded bull. It’s a tense moment. Photographer W. J. Phillips and his assistant took a huge personal risk to set up the camera and expose this arguably unique, wet-plate photograph. With respect to photography and this image, Libbie Custer declared, “ ... I think this is the first time that the art has been called into use at a buffalo hunt.”

    Brian Patrick Duggan, M.A., is a canine historian/image collector and award-winning author of Saluki: The Desert Hound and the English Travelers Who Brought It to the West; Horror Dogs: Man’s Best Friend as Movie Monster; General Custer, Libbie Custer and Their Dogs: A Passion for Hounds from the Civil War to Little Bighorn; and Fireside Tales: An Omnibus of Hound Fiction & Humor. Brian is a retired university technology educator with degrees in filmmaking and education. He’s currently an American Kennel Club judge, the editor for McFarland Publishers’ Dogs in Our World series, and member of the Dog Writers Association of America. His articles have been published internationally, and he has judged Saluki Specialties in Australia, Canada, England, Finland, Germany, New Zealand, and Norway. Having just typed “The End” on his first historical novel, Brian continues to research the 19th-century culture of dog portraits. He and Wendy live with their pack of Salukis in central California.

     * * *

    New England Photography Studio Advertising Cards: Their Significance in Photographic, Printing, Typographic, and Advertising History

    Presenter: Stanley B. Burns, MD

    Printed advertising cards inserted into the backs of images offer a unique window into authorship and identity in photography, and their study uncovers layers of history in printing, typography, advertising, and photographic practice. In the mid-1850s, particularly in Massachusetts and throughout New England, photographers began including advertising cards behind their photographs. These cards detailed information such as studio location, pricing, equipment, and often made bold marketing claims — many branding themselves as the “cheapest.” Tracking these cards across time reveals the evolution of photographic formats, business ownership, and marketing strategy. Notably, this practice was entirely absent from major photographic centers such as New York, Philadelphia, Baltimore, Washington, and Richmond. Representing a neglected chapter in the histories of photography, printing, and design, these cards — and the photographs they identify — remain collectible today, offering an ongoing opportunity for discovery and scholarship.  

    Stanley B. Burns, MD, is an internationally distinguished author, curator, historian, collector, archivist, and consultant for film and television. He currently holds four professorships at New York University Grossman School of Medicine. Dr. Burns began collecting early photography in 1975, and 50 years later, his archive of more than one million historic photographs is widely considered the most significant and comprehensive private collection of documentary photography. Over the years, he has donated tens of thousands of photographs to more than thirty institutions. Most recently, Yale University Medical School acquired his renowned collection of medical photography, and Dr. Burns has established a fellowship for those pursuing research in the field. In 1977, Dr. Burns founded The Burns Archive to share his photographic discoveries. He has authored 54 books, over 1100 articles, curated over 100 exhibitions, and consulted on dozens of documentaries and feature films. Each of his books has been on unexplored and under-appreciated aspect of history, culture, or photography. His upcoming publication, AMBRO-TYPE, focuses on the advertising of early photographic studios. Dr. Burns is a charter member of The Daguerreian Society.

     * * *

    Photo Sleuth: Using AI and Crowdsourcing to Identify Portrait Photographs

    Presenter: Kurt Luther

    In this talk, I will show how technologies like social media, AI-based facial recognition, and digital archives allow us to solve photo mysteries that have eluded families and researchers for over a century. Specifically, I focus on Photo Sleuth (www.civilwarphotosleuth.com), a web-based platform originally developed by my research lab at Virginia Tech to help users identify unknown people in historical photos, primarily from the American Civil War era. The site has grown to over 20,000 registered users and 60,000 photos and has been featured by TIME magazine, Smithsonian magazine, and The History Channel. A new feature called BackTrace allows users to find photos with similar painted backdrops to try to identify unknown photographers and studio locations. In 2024, we founded a non-profit organization, The Photo Sleuth Foundation, to broaden our efforts to identify unknown subjects, photographers, and locations across all eras of historical photographs.

    Kurt Luther, PhD, is Associate Professor of Computer Science and, by courtesy, History, at Virginia Tech and President of the Photo Sleuth Foundation, a non-profit organization whose mission is to rediscover the forgotten names and places in historical photographs through research, technology, and community. His team created Civil War Photo Sleuth, an online platform that combines facial recognition technology and crowdsourced human expertise to identify unknown subjects and photographers of American Civil War-era photos. The platform has been featured in TIME, Smithsonian, and The History Channel, and has identified photos in major public collections including the Library of Congress, National Archives, and National Portrait Gallery. He is also a senior editor at Military Images Magazine, where for over a decade he has published a regular column on Civil War photo sleuthing.

     * * *

    Working in the Field: Creating a Panoramic Daguerreotype

    Presenter: Mike Robinson

    Frédéric Martens, an engraver, worked at Lerebours’ studio in Paris preparing printing plates for Excursions Daguerreiennes — remarkable views and monuments from around the world. The view from the studio window across the Seine at Pont Neuf was equally remarkable, and Martens sought to capture his full field of view, roughly 140 degrees, on a single daguerreotype plate. In 1844, lenses were limited to a 35-degree angle of view. His solution was to design and patent a camera that allowed the lens to pan across the view via pinion gears and a crank handle. The daguerreotype plate had to be curved to a radius matching the focal length of the lens. There are no surviving examples of Martens’ Megaskop-Kamera; however, the few remaining daguerreotypes made with it are astonishing. It has long been Robinson’s ambition to build a replica of the camera and the apparatus necessary to make curved-plate panoramic daguerreotypes today. In this talk, Robinson will share his experience in designing, constructing, and using this unique camera on location at Niagara Falls and Yosemite Valley.

    Mike Robinson, PhD, is an artist-practitioner, teacher, conservator, and historian of the daguerreotype. He also serves as President of The Daguerreian Society. In June 2017, he earned his PhD in Photographic History with his dissertation entitled The Techniques and Material Aesthetics of the Daguerreotype. Robinson has taught graduate and undergraduate courses in 19th-Century Photographic Processes at Ryerson University in Toronto, and has lectured and taught daguerreotype workshops around the world, including in Toronto; Rochester; New York City; Chicago; Lacock Abbey, United Kingdom; Bry-sur-Marne, France; Amsterdam, Netherlands; California and Kolomna, Russia. His daguerreotypes are in the collections of The Portrait Gallery of Canada, The Art Gallery of Ontario, The Metropolitan Museum of Art, The Nelson-Atkins Museum, Harvard University, Carnegie-Mellon, The Snite Museum, The Fox Talbot Museum, The George Eastman House International Museum of Photography, Musée Metienne, The Russian Museum of Photography, The Museum of Fine Arts Boston, and many private collections. 

     * * *

    Mystery in Miniature: C. L. Goodrich and the Story Behind Three CDVs

    Presenter: Carl Mautz

    This talk will explore the remarkable life of C. L. Goodrich — a little-known 19th-century express messenger, journalist, adventurer, and showman — through the lens of three extraordinary cartes de visite discovered in a Portland, Oregon antique market. Drawing on genealogical research and Western U.S. history, the presentation traces Goodrich’s eclectic career from Oregon newspaperman to express rider, sometime benefactor of Lotta Crabtree, and founder of multiple publications across California, Idaho, Kansas, and eventually British Honduras (Belize). The talk also considers the likely role of Goodrich’s friend, pioneering photographer Joseph Buchtel, in creating the CDVs, and reflects on how the images, preserved in near-pristine condition, encapsulate both a colorful personality and a turbulent era. Part mystery, part biography, this presentation invites attendees to consider how a few surviving photographs can open a window onto an astonishing life.

    Carl Mautz was born in Portland, Oregon, on April 3, 1943. He graduated from the University of Oregon in 1965 with a degree in history and in law in 1969. While practicing law to support his family, Mautz began collecting old photographs in 1972 and soon met legendary itinerant photo dealer Ken Appollo who taught him to appreciate the basics of dealing old photographs and also the importance of imprints on photographs that provided information about each photographer whose work was being collected. In 1975, Mautz met Robert O. Brown, who lived a mile from his home in Portland and later published the Collector’s Guide to 19th Century U. S. Traveling Photographers. Brown had listed a number of photographers from imprints on cartes-de-viste and cabinet cards from western states. This list was included in a box of photographs Brown sold to Mautz, and it was from this list that the Checklist of Western Photographers was created and distributed by Mautz in 1975, eventually leading to his 772-page volume, Biographies of Western Photographers. Mautz retired from law in 1995 and moved to Nevada City, California, where he published 25 books under the imprint of Carl Mautz Publishing. Most of the books relate to the history of photography.

     * * *

    The Woman's Eye: Case Studies from Latin America

    Presenter: Carlos G. Vertanessian

    The dawn of photography in Argentina, particularly during the Daguerreian era (1840–1870), remains shrouded in mystery, especially concerning the vital roles played by women. This talk aims to illuminate this neglected period, placing Argentine women photographers within the broader context of their European and American contemporaries. Antonia Brunet de Annat, a French miniature painter, stands as Argentina's pioneering female daguerreotypist. Her remarkable career, encompassing painting, teaching, and photography, culminated in her acquisition of a daguerreotype studio in 1854 — a bold move in a fiercely competitive market, especially as a widow and single mother. Juana Manso, a visionary writer, journalist, and feminist, offers a compelling example of how women strategically utilized photography. In a society resistant to her progressive campaigns for female education and empowerment, Manso harnessed the power of her image to challenge prevailing norms and counteract negative public perceptions. This presentation will examine the work of these early female practitioners in Argentina and across Latin America and will describe the hidden histories and challenging dominant narratives that Vertanessian’s research has uncovered.  

    Carlos G. Vertanessian is an acclaimed Argentine independent scholar specializing in early photography in Latin America, particularly the daguerreian period in Argentina and Uruguay. He has built an extensive collection of related images and literature, authoring four significant books on visual culture in his country: Primeros Daguerrotipos en Argentina (1843–1844); El retrato imposible: Imagen y poder en el Río de la Plata; Retratos del Plata: Historias del daguerrotipo (1839–1859); and his latest, PRIMERAS. Las argentinas y la fotografía. 1840–1871, which reflects his ongoing dedication to researching women in photography. Two of his books have received national cultural interest declarations from Argentina’s National Academy of Fine Arts and Ministry of Culture. Vertanessian has curated the two most prominent public daguerreotype collections in Argentina at the Museo Histórico Nacional and the Complejo Museográfico Enrique Udaondo. In 2023, he received The Daguerreian Society Fellowship Award “for the advancement of scholarship in the field of photo history and the willingness to share that knowledge.” A national and international guest lecturer and writer, he is a scholar of Instituto Nacional Sanmartiniano, Instituto Nacional Browniano, and Instituto Bonaerense de Numismatica y Antigüedades in Argentina, and is also a Board Member of The Daguerreian Society. 

     * * *

    Navigating the Evolving Market for 19th-Century Photographs — A Panel Discussion

    Moderator: Wes Cowan

    This panel will explore current trends in the buying and selling of 19th-century photographs, with insights drawn from recent auctions and private sales. Are the drivers of market value shifting? What’s hot — and what’s not? How are changing collector demographics and evolving institutional priorities influencing prices? Join us for a lively discussion on whether we may be entering a new golden age for collecting early photography.

    Speakers:

    • Wes Cowan, Daguerreian Society Vice President and auctioneer
    • Denise Bethel, former longtime head of Sotheby’s New York photographs department, now consultant, writer, and lecturer. 
    • Katie Horstman, Vice President and Head of American Historical Ephemera & Early Photography, Freeman’s | Hindman Auctions
    • Diane Waggoner, PhD, Curator of Photographs, National Gallery of Art, Washington
    • Erin Waters, photo historian, collector, and dealer

    We look forward to seeing you in Hartford and online!

  • August 11, 2025 5:19 PM | Anonymous member (Administrator)

    We're excited to announce additional sections for three of our exclusive, behind-the-scenes tours at this year’s Symposium & Photo Fair in Hartford, Connecticut.

    Newly added sections:  

    • The Scenic Daguerreotype in America 1840–1860 — Third section added: 5:00–5:30 pm ET
    • 50 Daguerreotypes in the Collection of the Wadsworth Atheneum — Two new sections: 1:00–1:30 pm and 1:30–2:00 pm
    • Hudson River Painting Gallery — Now split into two 40-minute sections: 1:00–1:40 pm and 1:45–2:25 pm

    Sign-up for the new sections will open this Saturday, August 16, at 12:00 noon ET

    The new sections are intended primarily for:

    1. Registrants with no tours booked
    2. Registrants with only one tour booked

    All tours will be held Thursday, September 25, the first day of the three-day Symposium, at either the Wadsworth Atheneum Museum of Art or the Connecticut Museum of Culture and History

    For full tour descriptionsclick hereSee above for the updated schedule. 


    Sign-Up Details 

    • Limit: Each Symposium registrant may sign up for two curator-led tours (limit may be lifted later if spots remain).  
    • You must first be registered for the Symposium to sign up. Register here.

    With this added capacity, we expect almost everyone who wants two tours will be able to get them.

    * * *

    For New Registrants

    If you haven't signed up for a tour yet: 

    • Add your name to the waitlist now ("Join Waitlist" here). 
    • You'll receive priority placement before the new sections go live on August 16

    * * *

    If You’d Like to Switch Tours

    1. Join the waitlist for an existing section you'd prefer.  
    2. Once the new sections open, sign up directly if space is available. 
    3. Placement will be determined by the order of joining the waitlist and slots becoming available.
    4. If admitted, cancel any tours above the two-tour limit. 
    5. Watch for overlapping times and allow travel time between venues. 

    * * *

      Questions? Contact Cindy Motzenbecker at motz48073@yahoo.com.

      Note: If you'll be traveling, in an unfavorable time zone, or anticipate technical issues during the August 16 sign-up, please reach out to Cindy in advance so we can assist. 

      We look forward to seeing you in Hartford!


      The Wadsworth Atheneum Museum of Art (top and bottom left) will host most of this year’s Symposium tours.
    • July 30, 2025 10:00 AM | Anonymous member (Administrator)

      From Daguerreotypes to AI:
      Eye-Opening Talks Slated for Hartford Symposium

      We're excited to announce the expert talks planned for this year's Symposium & Photo Fair. 

      This year’s presenters bring fresh perspectives on 19th-century photography. You’ll discover unseen Native American portraits, get access to hidden gems in a major institutional collection, and learn how artificial intelligence can help identify people in early photographs.

      2025 Symposium Presentations
      September 25–27
      Hartford, Connecticut
      Register here 

      Whirlwind Tour of 19th-Century Photography at the Beinecke Rare Book & Manuscript Library
      Matthew Daniel Mason, PhD – Beinecke Rare Book & Manuscript Library, Yale University

      Photo Sleuth: Using AI and Crowdsourcing to Identify Portrait Photographs
      Kurt Luther, PhD – Virginia Tech; Founder, The Photo Sleuth Foundation

      Portraits in the Stream of Time: Images of “Indians” Henry David Thoreau Encountered in New England
      Jane-Turano Thompson – Independent scholar and art historian specializing in 19th-century American art and photography

      A Virginia Family in Pursuit of Their Likenesses: Encounters with “Mr. Tools,” “White Hurce,” and “Mr. Montgomry”
      Denise Bethel – Former longtime head of Sotheby’s New York photographs department, now consultant, writer, and lecturer

      Time Stands Still: Horology in Daguerreotypes
      Bob Frishman – Independent horology scholar and author

      On the Prairie with General Custer and His Hounds
      Brian Patrick Duggan – Historian and author focused on 19th-century canine imagery and culture
       

      Mystery in Miniature: C. L. Goodrich and the Story Behind Three CDVs
      Carl Mautz – Collector, dealer, and publisher of about 25 books, mostly on the history of photography

      The Woman's Eye: Case Studies from Latin America
      Carlos Vertanessian – Scholar, collector, and Daguerreian Society Board Member focused on Latin American photographic history

      New England Photography Studio Advertising Cards: Their Significance in Photographic, Printing, Typographic, and Advertising History
      Stanley B. Burns, MD – Author, curator, and collector known for his pioneering work in early medical and vernacular photography

      Working in the Field: Creating a Panoramic Daguerreotype
      Mike Robinson, PhD – Artist-practitioner, conservator, and historian of the daguerreotype; President of The Daguerreian Society

      Special Panel Discussion
      Navigating the Evolving Market for 19th-Century Photographs

      • Wes Cowan (moderator) – Daguerreian Society Vice President and auctioneer
      • Denise Bethel – former longtime head of Sotheby’s New York photographs department, now consultant, writer, and lecturer
      • Katie Horstman – Head of American Historical Ephemera & Early Photography, Freeman’s | Hindman Auctions
      • Diane Waggoner, PhD – Curator of Photographs, National Gallery of Art
      • Erin Waters – Photo historian, collector, and dealer

        Register Today! CLICK HERE

        Can’t travel? Don’t miss out! You’ll see all of these talks LIVE, and more, if you sign up for our Virtual Symposium Experience

      • July 25, 2025 9:19 AM | Anonymous member (Administrator)

        The DoubleTree by Hilton Hartford Downtown is just an 8-minute walk from the Wadsworth Atheneum Museum of Art, host institution for the Symposium.

        Our official Symposium hotel, the Hartford Marriott Downtown, is fully booked for Thursday, September 25, and Friday, September 26.

        If you're planning to attend the Symposium in person and haven’t yet reserved accommodations, we’ve arranged a group room block at the nearby DoubleTree by Hilton Hartford Downtown, just an 8-minute walk from the Wadsworth Atheneum Museum of Art, our host institution.

        Click here for a map showing the location of the hotels, Wadsworth Atheneum Museum of Art, and Connecticut Museum of Culture and History.

        See below for hotel details.

        To register for the in-person Symposium, click here or go to "Upcoming Society Events" on the home page.

        Can't attend in person? Much of the Sept. 25–27 conference will also be accessible virtually. More details coming soon.  

        Hotel Details:

        DoubleTree by Hilton Hartford Downtown
        315 Trumbull Street, Hartford, CT 06103
        Front Desk: (860) 728-5151 | Direct: (860) 240-7218
        DoubleTree.com/HartfordDowntown

        Rate:
        $239.00 per night (plus 15% occupancy tax)

        Parking:
        $19.00 per night for self-parking in the attached Church Street garage

        Cancellation Policy:
        To avoid a cancellation fee, reservations must be canceled at least 72 hours prior to arrival. Cancellations made after that time will incur a charge for one night’s room and tax.

        Booking Deadline:
        The group rate is available until Wednesday, August 13, 2025 (or until the block sells out).

        How to Book:
        Reserve your room by calling Hilton Reservations at (800) 754-7941 and asking for The Daguerreian Society group block, or use the direct booking link:
        https://group.doubletree.com/uinpex

        The DoubleTree is excited to host our group. We encourage you to reserve your room soon.

        If you have any questions or are interested in sharing a room, please contact Business Director Diane Filippi at info@daguerreiansociety.org

      • July 20, 2025 8:07 AM | Anonymous member (Administrator)

        The Wadsworth Atheneum Museum of Art (top and bottom left) will host most of this year’s Symposium tours  

        AUGUST 11 UPDATE: Additional sections of three curator-led tours have been added. Sign-up for them will go live on Saturday, August 16. Click here for details. 

        The Daguerreian Society is pleased to announce details of the exclusive, behind-the-scenes tours planned for this year’s Symposium & Photo Fair in Hartford, Connecticut.  

        These curator-led briefings, which provide access to rarely seen institutional images and other holdings, will take place on Thursday, September 25, the first day of the three-day Symposium.   

        Online sign-up will begin at noon ET on Saturday, August 2, via the Society website and will be handled on a first-come, first-served basis. Detailed registration information will be forthcoming 

        Symposium registrants will have the opportunity to sign up for two curator-led tours at the Wadsworth and the Connecticut Museum of Culture and History.

        Please click the link below for a printable roundup of Hartford Symposium tour descriptions. 

        Hartford tour descriptions_20July2025.pdf

      • June 28, 2025 10:38 AM | Anonymous member (Administrator)

        Members may access the latest Quarterly from the Quarterly and Newsletter Archive page in the site's members-only section. The "compact" version is suitable for reading on screen or printing at home. 

         
        Inside this issue...

        • The Maillet Daguerreotype Collection sells
        • Latest Symposium news

        • A collector coveted one spectacular photograph for 40+ years ... a true story of image lust – revealed!

        • Sean Nolan illuminates a distinctive set of japanned papier-mâché cases 

        • A visit to Australia-based historian and collector Marcel Safier

        • Lessons from creating 200+ daguerreotypes on a single plate in two months
      << First  < Prev   1   2   3   4   5   Next >  Last >> 

      The Dagguerreian Society

      The Daguerreian Society
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