The Daguerreian Society


From Charles Cist, Sketches and Statistics of Cincinnati in 1851 (Cincinnati: Wm. H. Moore & Co., 1851.) Chapter 13. “Manufactures and Industrial Products” pp. 186-187.


    Daguerreotypists.—Thirty-two, with seventy-eight assistants; produce to the value of eight thousand dollars; raw material, 60 per cent.
    Our daguerreian artists stand high everywhere. Reed, the artist, who carried portraits taken by Hawkins and Faris, to Europe, states, in a letter home, that their works were recognized at a glace in Florence, by Frenchmen and others, as American productions, and superior to anything produced on the continent of Europe.
    Hawkins, in addition to his daguerreotypes, produces, what he terms, a solograph picture. These are portraits and miniatures which possess the beauty of superior oil paintings, and the exquisite finish of highly-wrought miniatures. Nothing can exceed their truthfulness of likeness and life-like coloring.
    They posses the great advantage of not being liable to change; while on the contrary, like a fine painting, they improve by time.
    While these picture are equal to finished paintings in color, they excel even the daguerreotype, in fidelity.


(End of text. Please refer to our textnote regarding this text.)

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